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Symphony No. 3
Alexander Scriabin

Brussels Philharmonic | Kazushi Ono

Symphony No. 3

Price: € 19.95
Format: CD
Label: Evil Penguin
UPC: 0608917726121
Catnr: EPRC 0074
Release date: 04 April 2025
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1 CD
€ 19.95
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Label
Evil Penguin
UPC
0608917726121
Catalogue number
EPRC 0074
Release date
04 April 2025
Album
Artist(s)
Composer(s)
EN

About the album

The grandiose and particularly colourful Third Symphony by Alexander Scriabin retains ties to the Romantic tradition while foreshadowing the daring tonalities of Scriabin’s later works. In three unbroken movements, it depicts the struggle between humanity and God (Luttes), the delights of a seductive passion (Voluptés’) and a Jeu divin in which the spirit gives itself over to the turbulence and lightness of an untethered existence. “I want to place the listener at the center of the universe. My music must immerse them in a state of ecstasy and elevate them to a higher spiritual plane.” This quote encapsulates Alexander Scriabin’s (1872–1915) profound ambition to create a transformative emotional and spiritual experience for his audience.

Artist(s)

Brussels Philharmonic

“The world needs symphonic music.  And symphonic music needs the world.” That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our music director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.
more
“The world needs symphonic music. And symphonic music needs the world.” That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our music director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.

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Kazushi Ono (conductor)

Kazushi Ono’s musical personality was formed by the cultures of both Japan, where he was born, and Europe, where he studied. His work reflects both influences and crosses styles and forms, from Baroque to new commissions and from orchestral to opera. He has worked in opera houses and concert halls all over the world and serves as Music Director of Brussels Philharmonic, Music Director of Tokyo Metropolitan Symphony Orchestra and Artistic Director of New National Theatre Tokyo.
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Kazushi Ono’s musical personality was formed by the cultures of both Japan, where he was born, and Europe, where he studied. His work reflects both influences and crosses styles and forms, from Baroque to new commissions and from orchestral to opera. He has worked in opera houses and concert halls all over the world and serves as Music Director of Brussels Philharmonic, Music Director of Tokyo Metropolitan Symphony Orchestra and Artistic Director of New National Theatre Tokyo.

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Composer(s)

Alexander Scriabin

Alexander Scriabin was a Russian composer and pianist. He began playing the piano at the age of five, but received his first lessons only at the age of eleven. He could not play from sight, but studied the score and played the compositions by heart afterwards. He was also a gifted improviser. During the rest of his live Scriabin made a living as a composer and concert pianist.He established contracts with publishers and also had a patron in his former student Margarita Morozova for some time. In addition, he annually won a money prize in the context of the Glinka-prize for new compositions that was set up by Beljajev. Scriabin primarily wrote for solo piano and orchestra. His music progressively evolved over...
more
Alexander Scriabin was a Russian composer and pianist. He began playing the piano at the age of five, but received his first lessons only at the age of eleven. He could not play from sight, but studied the score and played the compositions by heart afterwards. He was also a gifted improviser.
During the rest of his live Scriabin made a living as a composer and concert pianist.He established contracts with publishers and also had a patron in his former student Margarita Morozova for some time. In addition, he annually won a money prize in the context of the Glinka-prize for new compositions that was set up by Beljajev.
Scriabin primarily wrote for solo piano and orchestra. His music progressively evolved over the course of his life, although the evolution was very rapid and especially brief when compared to most composers. His earliest piano pieces resemble those of Frédéric Chopin. The works from his middle and late period use very unusual harmonies and textures.
From 1904 till 1910 Scriabin lived in western Europe, primarily in Switzerland, but also in northern Italy, Paris and Brussels. After his return to Russia he found himself in the middle of a circle of admirers who were attracted to his exalted and mystic ideas. During the last years of his life he worked on a grandiose manifestation, a Gesamtkunstwerk, Mysterium, in which all arts and all people would have been united. He left only sketches of the prelude to this piece (L'action préalable) and large amounts of text.

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